Inayatullah DIN

Inayatullah DIN

BIOGRAPHY:

Inayatullah DIN is a PhD student in History at the School for Advanced Studies in Social Sciences (EHESS) of Marseille, affiliated to the Centre de recherche sur les circulations, les liens et les échanges (CeRCLEs). Wars have always been a part of human civilizations, and he is particularly interested in how they have been fought in the mountains of the Himalayas. He approaches war as a broad analytical category—not merely as a political activity but as a phenomenon that generates friction, often most visible from the peripheries. His research examines the empire-environment dynamics in the Himalayas, focusing on 19th-century Kashmir and its surrounding regions. He explores the layered and complex processes involved in the making and unmaking of the Jammu and Kashmir state through an ecological lens, drawing on a variety of Persian, Urdu, and colonial documents. Special attention is given to ponies, mules, begār (forced labor), shawls, saints, and frontiers, all of which played pivotal roles in this drama of state formation but are often undervalued in historical scholarship. The study tackles the complex interactions between the state, war, and the natural environment to demonstrate how these elements have interacted with each other, shaping the specific trajectories of Kashmir’s history.

Publications:

  • “Movements of Muslimness Before Muslim League; Jihād, Aligarh, and Islamism” in Oxford Handbook on Islamic Reform, Ed. Emad Hamdeh and Natana DeLong-Bas (Oxford: Oxford University Press, March 2025).
  • “Teaching Old History in New India: Problems and Possibilities,” in Quarterly Journal of the Pakistan Historical Society, Vol. 71, No. 3, September 2023.
  • “Dancing in Duality: Exploring the Comparative Relationship of Swahili Culture with Islamic and Liberal Paradigms,” in Karachi Islamicus, MANARS, Karachi, Vol. 3, No. 1, June 2023.
  • Film Review of Shatranj Ke Khilari. Dir. by Satyajit Ray. Prod. by Suresh Jindal. 1977. 129 mins. for Kashmir Observer, October 1, 2021.
  • “An art that came from Samarqand in the 15th century struggles to survive in Kashmir,” Free Press Kashmir, August 17, 2020.

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